Town Talk: Britain’s Red Arrows fly over Coal Harbour

Portrayed with a Red Arrows aerobatics team’s poster, British High Commissioner Susan le Jeune d’Allegeerschecque, Consul General Nicole Davison and guests had just seen the real Royal Air Force jets fly past them.


STRAIGHT ARROWS: A key factor in aerial combat — literally a matter of life and death — is to be in exactly the right place at exactly the right time. Having the sun behind you helps, too. Full marks, therefore, to the Royal Air Force’s Red Arrows aerobatics team that was scheduled for a Coal Harbour flypast at 1700 hours recently. With the declining sun glistening on their red-white-and-blue tail fins, the team’s BAE Hawk trainer jets skimmed over at 5 on the dot. As they banked and climbed away, workhorse aircraft — de Havilland Beaver and Otter float planes — resumed their everyday takeoffs and landings.

Vancouver Chief Constable Adam Palmer, Mayor Kennedy Stewart and others saw the RAF Red Arrows aerobatics team’s jets speed over Coal Harbour.


Vancouver Mayor Kennedy Stewart, Chief Constable Adam Palmer, Bard on The Beach artistic director Christopher Gaze and others watched the proceedings from the Pan Pacific hotel’s eighth-floor deck. They were guests of British High Commissioner to Canada, Susan le Jeune d’Allegeerschecque, formerly ambassador to Austria, and Vancouver-based consul-general Nicole Davison. “The Red Arrows are the best ambassador our country has,” said le Jeune d’Allegeerschecque, whose married name is more common in Brussels than London. As those two cities duke it out over Brexit, the fast-flying Red Arrows might remind Gaze and especially British Prime Minister Boris Johnson of Hamlet’s “slings and arrows of outrageous fortune.” Ditto for that soliloquy’s humbling conclusion: “And thus the native hue of resolution is sicklied o’er with the pale cast of thought.”

Vancouver International Film Festival executive director Jacqueline Dupuis welcomed Guest of Honour director Atom Egoyan to the 38th running.


HAPPY ENDING: Cultural organization heads sometimes roll amid a blizzard of finger-pointing, trustee bickering and other nastiness. Not at the Vancouver International Film Festival where eight-year executive director Jacqueline Dupuis announced in July that she’ll leave at year’s end. Looking as relaxed and, dare one say, glamorous as in 2011, Dupuis launched the 38th annual festival by escorting director Atom Egoyan to a screening of his Guest of Honour feature film and to a gala later. Although called “a masterful piece of subtly sophisticated filmmaking” in the VIFF program, showbiz bible Variety deemed the Egypt-born Torontonian’s picture “hopelessly muddled … overplotted and under-reasoned, hysterical and stiffly earnest.”

CONSONANTAL DRIFT: If asked to define modern-day political equivocation, habitual phrase-tangler William Spooner might have replied with a self-defence tip: “Trust in judo.” Then again, his spoonerism of voters’ “elementary affluence” would entail a mere vowel movement.

Dr. Peter AIDS Foundation executive director Scott Elliott and chair Joy Jennissen reported the 16th multi-chef Passions gala raising a record $220,000.


MORE AID: Dr. Peter Jepson-Young succumbed to HIV/AIDS in 1992 at age 35. CBC-TV’s weekly Dr. Peter Diaries detailed his then-almost-inevitable approach to death. Founded that year, the Dr. Peter AIDS Centre and related foundation began caring for those still living. A decade later, Nathan Fong recruited fellow chefs to launch the annual Passions gala that reportedly raised a record $220,000 recently. Executive director Scott Elliott said the centre now helps clients deal with hepatitis C and supports older ones “isolated and not participating in health care.” It will soon offer twice-weekly programs for female HIV/AIDS patients, he said.

David Robertson compiled his second cookbook, Gather, to mark the 10th anniversary of the Dirty Apron cooking school he and wife Sara founded.


DIRTY DISHES: Wearing a whistle-clean apron, Dirty Apron co-founder David Robertson marked the cooking school’s 10th anniversary by launching his second cookbook, Gather. Some of the 100,000 folk he’s reportedly taught filled the Beatty Street joint to buy the book and sample such dishes as sake-braised pork belly, seafood and chorizo belly and Robertson’s sensational Thai-style coconut-lemon grass braised beef short ribs.

Maggie Sung had Taiwan Tourism Bureau director Linda Lin visit from San Francisco to inaugurate her as head of a new information centre here.


TAIPEI TIES: There were complaints when electioneering defence minister Harjit Sajjan attended a recent gala honouring China. Not so when San Francisco-based Taiwan Tourism Bureau director Linda Lin inaugurated Maggie Sung to head our town’s new information centre for the island China claims to own. The ceremony followed Vancouver’s recent 100-event TaiwanFest that began celebrating Taiwanese culture in 1991.

Kyle Parent made the $2,100 quilt and designer Kate Duncan the $30,000 walnut bed to exhibit at the fifth annual Address show she staged.


BED BUDS: As the huge IDS design exhibition ran downtown, furniture designer-manufacturer Kate Duncan and curator Amber Kingsnorth staged their own fifth annual show titled Address. It occupied five-times-larger premises at Malkin Street’s Eastside Studios. As well as mature and emerging exhibitors from Pacific Northwest states and Alberta, the event welcomed newcomers from Saskatoon, Toronto and Texas. Port Alberni-raised Duncan exhibited a solid walnut bed and side tables tagged at $30,000. Calgary native Kyle Parent added a $2,100 bedspread from his concern.

Designers Madeleine Sloback and Annaliesse Kelly exhibited artworks by Miriam Aroeste and Sandra Lowe in their East Vancouver studio/office.

Malcolm Parry /


GO EAST, YOUNG WOMAN: Vancouver’s creative activities are enhanced — some say dominated — east of Main Street. The 23rd annual Eastside Culture Crawl alone will include 500 artists, artisans and designers Nov. 14-17. The latter include interior designers Annaliesse Kelly and Madeleine Sloback who, although business competitors, share chic Pender Street premises. They mount thrice-yearly exhibitions there, most recently by Mexican-born painter Miriam Aroeste and Okanagan-raised photographic artist Sandra Lowe.

Paisley Smith wore spilling-pipeline headgear alongside Lawrence Paul Yuxweluptun whose paintings she animated for her Unceded Territories film.


TOP HAT: California-based Canadian Paisley Smith wore a simulated oil-pipeline helmet to promote her “immersive” VIFF film, Unceded Territories. Screening in a Vancity Theatre kiosk to Oct. 2, it addresses climate change and Indigenous civil rights with animated interpretations of works by Cowichan/ Syilx artist Lawrence Paul Yuxweluptun whose usual headgear is a four-feathered straw fedora.

DOWN PARRYSCOPE: Crown yourself inventively for Mad Hatter Day Oct. 6.

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